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The Nak House by Wolveridge Architects

by Visualture

Located in the rural area of Trafalgar, Victoria, Australia, The Nak House is a remarkable project by Wolveridge Architects, transforming a former industrial structure into a contemporary, functional home that remains deeply connected to its natural surroundings.

The original building—a knackery—was preserved rather than demolished. The architectural strategy centered on maintaining the existing concrete block walls, which provide structural strength, thermal mass, and a textured visual identity. Selective openings were introduced to allow natural light, cross ventilation, and stronger engagement with the landscape.

The house is organized over two levels: the ground floor accommodates the shared living areas in an open, fluid layout, while a timber mezzanine above contains the main bedroom. This minimal intervention within the original volume optimizes space without compromising the integrity of the structure.

Material use is one of the project’s strongest aspects. A restrained and coherent palette is applied: exposed concrete, light timber, black steel, and glass. Materials are left largely untreated, highlighting their natural qualities and contributing to a low-maintenance, honest aesthetic. Timber adds warmth and texture, balancing the solidity of concrete and creating continuity with the surrounding forest.

Large glazed openings offer strong visual connections to the landscape, while overhangs and shading elements help regulate sunlight exposure. The project embraces passive design principles, with strategic orientation, natural airflow, and durable materials that minimize environmental impact.

The Nak House is a clear example of how architecture can repurpose disused structures through thoughtful, restrained design. Rather than seeking visual impact, the project relies on rational decisions, a sincere material palette, and precise execution—proving that contemporary living can coexist with the memory of place and the rhythms of nature.

Photography by Tasha Tylee

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